CREATION UNTIL DEATH
(Introductory Proclamation)

Officially, according to the decision of the Serbian Business Registers Agency (APR), I am the founder and representative of the Foundation that bears my last name, as well as the last name of my late father. That is the legal framework, the language of the system, and the formal CV that corporations and institutions understand.

Unofficially: this is a family home. My family is just one of many families whose lives remain inscribed into its walls. Only then is it a cultural monument. Only then is it a foundation.

The death of the supreme director, Milivoje Mića Miloradović, in this very house, in our arms, is the final and irrevocable act of the theatre we call life. That act is not mourned with salon tears; it is remembered as the absolute aesthetic and human peak of presence. This house is not just a witness to history, it is a space in which the hardest and purest authorial work was played out. Therefore, this last name of mine and my radical step are a debt to his directing of my origin.

Officially: I guard history and heritage. Unofficially: Life itself is its own work.
Official culture demands institutions. Unofficial life demands presence.

To breathe, sleep, create, fuck, and die in a cultural monument is a conceptual practice.

This Manifesto is my contract with that practice. An installation in textual form that is simultaneously the constitution of this territory and an authorial outburst against banal everyday life. This is the magic by wich we exist, fashion, and collaborate on this address today.

MANIFESTO OF CREATION UNTIL DEATH
(Supreme Laws, Regulations, and Recommendations)

Article 1. Escape velocity, or rather the speed of movement in order to avoid a black hole
- If it appears during reading that the Manifesto was hastily put together, it is because I live in accordance with my nature (Article 2, Paragraph 3) and under a celestial transit that tolerates no cages. When the anaretic point of Mars and the exact pressure of Uranus align in the sky and in life, the system ruptures. This Manifesto is a byproduct of that rupture. Those who do not believe in the language of the stars may consider this article pure poetry.
- In this regard, I forbid the use of the phrase “Be patient.” Salvation will be found by the patient ones who gently sail the comfort zone, far from the event horizon. On the line, time and speed are critical.
Article 2. Armament
Under the laws of the Age of Aquarius and the geometry of frequencies, one exists exclusively with the following values:
- Truth. Naked, uncomfortable, and precise.
- Courage. Above all, the courage to dance the tango once again with the legal system of Serbia.
- Freedom. For everyone to live in accordance with their nature. For everyone to allow the other an equal right to freedom.
- Knowledge. Self-taughtness and a curious mind are encouraged, not diplomas that serve as a cover for a lack of talent and are issued by that irrelevant system.
- Respect. Of space, feelings, special needs, and the regulation that follows.
- Radicalism as a method. The mean value is the comfort zone.
- Love. Does not ask for an explanation / Do not ask for explanation.
- Authenticity. Copying other people's lives and using ready-made AI packages is the most boring kind of cultural and human vandalism. Inside every ordinary Tom, Dick, and Harry following the crowd, a beautiful human code is buried. Detect system bugs like "fitting in at all costs" and similar forms of voluntary identity loss.
- Transparency. Parts of the text are not 100% mine, but rather a combination developed through polishing my own views and reflections with descriptive phrases (e.g., the ultimate corporate and marketing scam. It is the most subtle bureaucratic cage of our time) which AI simply adores and algorithmically recognizes as the pinnacle of dramaturgy.
- Disobedience. When an authority/superior demands that you compromise your own (not my) values, remember that you are not among the 65% who "are just doing their job / just following orders" (The Milgram Experiment on Obedience to Authority, 1961). When you notice that a fellow human, one of those in the 65%, is tempted to give in under pressure, remember that when 2 out of 3 refuse the order, as many as 90% of the true subjects also refuse obedience (a later variation of the Milgram experiment).
Article 3. An incomplete list of contempt and enemies
- A declaration of disgust toward anyone who tries to pack creation into forms, statistics, and reports.
- I despise hypocrites and double standards, elitists, and divisions. I despise the question: "What’s there for me?". I despise laziness, both other people's and my own. I despise amoral opportunists who celebrate the sale of their own integrity as resourcefulness, and their own spinelessness as a victory over the dignified. I despise the confusion that follows the answer "I'm not doing very well." As well as the phrase "Everything is for sale" – oh, get lost.
- In the name of the ancestors, I curse anyone who crosses the threshold with an ulterior motive. Spirits bite.
Article 4. The principle of superposition (Prohibition of finding a niche)
- Creation exists in all states at once until you try to measure it. The moment you put it on a scale or into a definition, its wave of freedom collapses into ordinary matter.
- The expression "find your niche" is the ultimate corporate and marketing scam. It is the most subtle bureaucratic cage of our time. The system forces you to choose one small, safe drawer, to curl up in it, and to produce the same, predictable thing all your life so that the algorithm can measure and sell you more easily.
Article 5. The logic is simple
- According to the basic laws of physics, chaos happens by itself, things tend to fall apart, gravitational forces are always attractive, and every body remains in a state of rest or uniform rectilinear motion unless compelled by some external force to change that state. For something beautiful to be born, consciousness, force, and effort are required.
Article 6. CV
- Whoever needs my CV to make a decision has not awakened the energies of the Cosmos.

GENERAL REGULATION ON EVERYDAY PERFORMANCE / Total couture
(Official Gazette of Conceptual Everyday Life

To live is to create. If your day is not a conceptual work, you are just an extra in someone else's museum, because every day in which you exist is the only "special occasion" given to you. Be in the permanent display of your own theatre. I declare the end of the passive observation of art. The exhibition begins the moment you open your eyes. When you enter my space, you become a full co-author of today's performance.

Article 7. Law on the identity of persons in the performance
- In administrative papers, I am the founder. In this Regulation, persons change according to the nature of the performance:
When I say I – it is spoken by a living, imperfect woman and that child born and raised in this space.
When I say WE – it is spoken by my ancestors whose blood and tradition I carry, family, associates, and pets with whom I share this space.
When I say THE FOUNDATION – it is spoken by the institution I created to be my shield, my public weapon, and a space where every action becomes an official performance. The members of the Board of the Foundation mostly agree, but they cannot be held responsible for my personal views.
When I say you – yes, you.
Article 8. Decree on the abolition of the status of "museum exhibit"
- In accordance with the official stance of the Foundation that heritage remains alive only when it is used, passive observation and dry conservation of the space are strictly forbidden.
- The object in which the Foundation operates is not a backdrop or an exhibition salon; it is an equal participant in the performance. Every wall, window, and piece of historical furniture must be included in contemporary cultural life.
Article 9. Rule on the inseparability of space and authorial practice
- It is officially declared that the boundary between "private life" and "cultural action" within this protected property does not exist.
- Everything that happens in this space, from research work to dancing in red shoes, represents a unique, uninterrupted authorial project. The history of this place is not preserved by silence, but by constant, radical questioning and contemporary creation.
Article 10. Law on the definition of heritage
- Heritage is what we CHOOSE not to surrender to oblivion. What is heritage today was once someone's life. What we live today will one day become heritage. Contemplate this from time to time.
- Heritage is consumed, not exhibited. Homage to the ancestors is the awareness of history and pride while carefully using inherited knowledge, genes, and objects daily. To use is not to forget.
Article 11. The rule on exhibition space
- We do not hang bananas on walls here.
- 1+1 is always 3. We reject lonely works that serve as decorative incidents on the wall. Multiple multimedia works gathered around the same, radical idea tell the story better and louder than any individual scream. One work is just a word. Two works are a dialogue. Three works gathered around the same truth are a revolution that changes the frequency of the space you enter. We are making a wave effect of meaning.
- Here we ask ourselves: if no one from the audience feels the work, is the audience stupid or did the artist miss the point?
- Nothing is beautiful enough to be just beautiful. Hm.
- The work must have a connection to real life. To question something. To explore something. For there to be a reason why it was created. 
- The medium, obviously, is not sacred.
- This place is not an empty space waiting for a program. It already has life, history, an author, and an owner.
- My paintings have not seen galleries, but the works have been seen by more beings than those who pass through an average Belgrade exhibition. My gallery is the space in which I live, which you enter and from which you leave with an experience.
Article 12. The rule on aesthetic sabotage of bureaucracy 
- When the enemy (bureaucracy, the bank, the system) forces you to fill out reports, Excels, or wait in line, it is an obligation to declare that time an "endurance performance."
- Your signature on every official document must be executed with the awareness that you are signing a charter of freedom, not a capitulation.
- If any constitutionally guaranteed right of an artist or one's neighbor is violated, as well as the right to an authorial life, they are obligated to make a scene, scream, faint, etc. It is not recommended to demonstratively leave the building until one has fought it out.
Article 13. Not everything is party, party, there is also Saturn 
- Disrespecting time is considered a great insult. People prone to being late and disrespecting deadlines should contact us for cooperation once they awaken and resolve their flaw. No one is a queen, let alone a king. Let alone me. Let alone me...
- For every unpleasantness, adequate unpleasant verses should be found.
Article 14. The rule on the exploitation of luxury 
- It is forbidden to save family heritage, crystals, expensive perfumes, and crocheted bed linen for "state holidays," guests, or funerals.
- Every fan of this manifesto is obliged to drink the cheapest yogurt from the most expensive inherited glass. Anyone caught using a chipped or plastic cup while their grandmother's silver rots in the commode will be permanently expelled from the registry of the authentic.
- Oak parquet is best polished by dancing in shoes with leather soles (whoever has them, let them be red), and sanded with high heels. Every scratch and gouge from a heel is a relief recording of your movement through the day.
- Wealth is not measured by a bank account balance. Here, value/luxury is measured by the ability to hear yourself and others, the sense of living your life with a purpose, the decision to materialize a vision, and the freedom to master your own time.
Article 15. The rule on anatomical defiance 
- No action may be executed without a conscious aesthetic purpose.
- Washing plates without a balletic leg lift backward, a contrapposto, a hip wiggle, or a dramatic pause in which the artist stares into the foam is considered mechanical survival. Dishes are not washed to be clean, but for the body to occupy a sculptural form in space.
- Clothes are a costume, a conversation with the cashier is dialogue from a drama. Every action is a political act and an artistic artifact.
Article 16. The rule on public performance in privacy / The observer effect 
- When you are completely alone, you are before the strictest audience – before yourself.
- "Cutting corners" in authenticity is strictly punished. If no one is watching, the performance must be even more radical. Any accidental spill from a plate must be treated as Pollock's action painting, not an accident.

LAW ON SPACE TOPOGRAPHY AND THE QUANTUM ENTANGLEMENT OF COLOR

Article 17. The floor is not a construction element, it is a horizontal canvas that remembers defiance 
- Drops of paint that fall onto the parquet (or clothing) during work are not wiped away. They are not considered dirt or a mess. I declare an absolute quantum connection between the canvas and the space: a drop that has changed its place and fallen onto the parquet has not lost its origin nor its identity. It is inextricably linked to the painting on the wall. By changing coordinates, it has merely expanded the territory of art. The surface does not determine the nature of the work.

SALON PERFORMANCES

Article 18. Regulations on dressing for going to the dumpster or visiting us 
- Every piece of clothing must have a pedigree or heavy physical labor behind it. "This was sewn by grandmother under a candle during the bombing." "I altered this dress until my fingers bled." "This hat is from a flea market, from Sicily." "This brooch brings me luck." All of that is allowed.
- If a piece has no history or story, invent one for it. Otherwise, you risk blending into the wallpaper and becoming stylistically invisible. We do not welcome clothes hangers for the mass exploitation industry into this space, but rather people who understand that clothing is a costume for today’s drama.
- When I say that today I am wearing Gaultier, I do not mean Jean Paul. The artist is obliged to wear ideas on their forehead, substance in their works, and pure cosmic intelligence in their energy.
- The purchase of instant fashion is rejected.
- It is allowed, even recommended, to wear hand-sewn silk, but underneath it, the stocking should have a small hole. Secret radicalism. Perfection is kitsch and a trait of bureaucracy; authenticity lives in the crack.
- It is strictly forbidden to wear the skin and fur of animals that have been deprived of their lives solely in the service of human vanity. Wearing leather is permitted only if the animal was raised for food, where the use of its skin is an ecological act of respect and completion of the entire biological cycle.
- Whoever refuses to eat meat out of love for animals and wears leather and fur is declared an aesthetic hypocrite. 
- Smudged makeup is declared a supreme fashion accessory and an aesthetic triumph. It is not an aesthetic mistake, it is irrefutable material evidence of life in full intensity, it is the trace of a performance that has just occurred. Smeared lipstick and mascara are medals of honor on the artist's face. Criteria for validation of smudginess:
  Traces of tears – proof of refusing to compromise with sadness or anger. Tears are catharsis.
  Traces of sweat – proof of physical defiance, dance, work, or excitement.
  Traces of a kiss – proof of passion and authentic connection with another being, without fear of ruining the facade and getting "dirty" with real life.

SECTION FOR LINGUISTIC GUERRILLA AND VERBAL AESTHETICS

Article 19. Decree on linguistic archaeology and the use of archaisms 
- It is the duty of the artist to return words that smell of dust, the attic, and antiquity to everyday speech. This performs a direct preservation of intangible cultural heritage.
- Thus, for example, instead of calling someone a "faggot," replace it with "you scoundrel, schemer, windbag, cheater...".
- Every citizen of the Republic of Serbia uses CYRILLIC at least once a week.
Article 20. Commonplaces 
- We do not condemn the visually impaired, the dyslexic, drunk texts, etc.; we distinguish them from the illiterate.
- One does not take a phone to the toilet, but a book of philosophical content.
- Only light, witty, leisure reading is brought into the treehouse.
- On the beach, one is silent.
- The inbox I prefer consists of hand-written letters, with traces of DNA, sent by post, with no ordinary stamp. (The address is Stevana Sremca 5, Belgrade, Stari Grad)
Article 21. Index of forbidden words 
Words used by the corporate world are erased from the vocabulary.
- "Productive" – This is not a factory. A day spent in contemplation, staring at the ceiling and breathing, is a successful day.
- "Flexible" – Radical truth cannot be flexible. It is as hard as grandfather's ducats.
- "Aligned" – Only bureaucracy aligns itself. Here, cuts, paradoxes, and tension are made.
- "Compromise" – a word declared as the supreme crime against creativity. Compromise is capitulation before a stagnant environment. Bureaucracy lives off compromise; conceptual life dies from it.
Article 22. The rule on high-style swearing 
- It is allowed to combine the finest 19th-century salon vocabulary with a juicy Balkan swear word in the service of supreme conceptual contrast. Eat shit, you gorgeous young lady, unreachable bud, oh, my fucked-up destiny.

THE ETHICS OF SOLIDARITY AND THE RESPONSIBILITY OF CRITICISM
(The Law on Urgent Praise and the Ban on Cheap Cynicism)

Article 23. The law on the urgency of praise and support (living, not dead heroes) 
- Public, loud, and frequent praising of all authentic works, small guerrilla initiatives, and intimate struggles of groups or individuals is commanded.
- Support must be executed IMMEDIATELY, this very second, while the individuals are still alive and the organizations active.
- We reject the culture of posthumous pats on the back. Bureaucracy waits for a person to die or a group to shut down to build them a monument and thus safely conserve them. We support them while they bleed on the asphalt and while their performance lasts. Flowers are given to the living, weapons (article 2.) are given to fighters during the battle.
Article 24. The law on the anatomy of criticism (prohibition of aimless spitting) 
- Public criticism is strictly forbidden if behind it lies only laziness, frustration, or a desire for destruction. Spitting from the audience is a sport for cowards.
- In order for criticism to be legal under this constitution, the critic is obliged to fulfill at least one of the following three conditions:
  1. To deliver it alongside praise.
  2. To present a clear and applicable counter-proposal, meaning to offer a tangible and better solution.
  3. To show AT LEAST a minimal will, sweat, and intention to reach a better solution.
- Anyone who criticizes someone else's performance from their comfort zone, without a readiness to get their own hands dirty, is declared a windbag and will be publicly ignored.

*  And yet, the most numerous and greatest enemies are the deliberate observers. Those who see perfectly well, but have neither praise nor criticism. They are rotten tissue. They are the system.

DETECTION OF FALSE FRIENDS OF CREATION
(The Law on Caring Saboteurs and Sterile Flattery)

Article 25. Condemnation of false care (passive-aggressive sabotage) 
- All those who attempt to reduce courage and vision to their own fear-driven limits are declared enemies of creation.
- Phrases disguised as goodwill are permanently banished and forbidden: "Are you sure about that?", "That might be too big a bite for you.", "Don't rock the boat", "I'm just worried you'll burn out." That is not care; that is an attempt to put out the fire before it ignites the comfort zone. Communication with such people is cut off.
Article 26. Rejection of cheap flattery (sterile compliance) 
- Any automatic, empty compliance is despised and rejected, whether it comes from people who lack the courage to tell the truth, or from sterile algorithms that only want to please. False applause for a false ego is rejected. Cheap flattery dulls the senses just like fast food.
Article 27. The definition of welcome criticism (creative partnership) 
- True, sharp, and unambiguous criticism is always welcome.
- The difference between a saboteur and a true critic is clear: The saboteur asks: "Why would you do that, it's too hard?" (He looks at boundaries and fears). The true critic asks: "How did you plan to execute that, can it be even bigger and more precise?" (He looks at the potential and the work).
- Anyone who enters the space ready to tell an uncomfortable truth about the work, but with the intention of making the work bigger and not the artist smaller, is welcome.

DECREE ON BIOLOGICAL INTEGRITY
(The Law on Conscious Intake and the Defense of the Senses)

Article 28. Food as an aesthetic and political act 
- Mechanical chewing, overeating, snacking in front of a screen, as well as ingesting food from plastic fast-food containers, is considered a severe offense against one's own dignity.
- Preference is given to that which grew under the sun, which smells of the earth, the sea, and has a flavor that awakens.
- The intake of food is a performance of high aesthetics. Even if it is a simple meal, it is set upon the table with the awareness of a ritual.
- At least once a week, and preferably on Sundays, bread is kneaded by hand, making a sculpture out of the dough.
- One does not feed the stomach; all senses are fed. Choosing what you put into yourself is the first line of defense against compromise. Every "bite" must have an origin and a reason.
Article 29. Other intakes and contributions to mind and body 
- Straighten up! The artist is obliged to walk upright, eyes fixed on the present. Therefore, they daily grumble, sing praises of, and publicly criticize the monuments of corruption on the sidewalks of Belgrade. Looking down, with caution and a bent spine, is assuming a pose for anal sex.
- Everyone is obliged to provide themselves with a daily dose of love.
- Everyone is obliged to ask something living (a human, an animal, or a plant) once a day: "How are you feeling today?" But truly from the heart, not out of form!
- The level of tolerance for rudeness, arrogance, violence, and lies is equal to the level of intolerance developed by the body through illness.
- It is strictly forbidden to normalize petty stealing, rudeness, kickbacks, lack of education, arrogance, lawlessness, illiteracy, this entire daily irritation under the excuse of "this is Serbia," and "do you even know where you live?" - Yes, in that old Belgrade, do you even know that an institution has been founded to introduce a ban on that? "You just have to endure it" - Well, you see, I don't.
- On the other hand, an authentic human reaction is strictly encouraged, which in a world of robotized, politically correct people might have become strange, but threatens no one. Please growl, hiss, shout if I ever unintentionally "violate your boundaries," if I don't understand that I irritate you deeply, it is because you are speaking to me in a "socially acceptable" language, with all the ribbons and through a sour smile. Swallowing anger directly threatens your thyroid gland. Laugh too loudly. Cry where it is inappropriate. Whip out your breast and nurse that hungry baby.
- The chosen doctor should preferably be a family doctor, who knows one's habits, genesis, and history. They treat the body and mind as a whole. They take into account both the environment and everyday life.
- In the event of a fall, instead of  "now you have fallen the lowest," I use "now you are sweet the highest."
- Genders are used in the sense of energies and not reproductive organs. I declare myself a hermaphrodite.
- Platonic pleasures are permitted in the service of inspiration, creative leisure, and rejuvenation, and not distraction and "entertainment until death."
- Btw, what will the neurotypicals do if neurodivergence is the evolution of consciousness? 

FLORA AND FAUNA

Article 30. Regulations on treating pets and plants as co-authors of the performance 
- Animals are performers on a permanent cooperation contract.
- Bitches do not bark; they are doing a sound installation and testing the limits of bourgeois peace in the neighborhood.
- The cat on the roof is not lazy; she is executing a feature-length performance entitled "Conceptual Ignoring of Gravity and Bitches."
- The late rabbit roams the yard in the role of "I am evil and this little fruit tree is under my protection."
- When your pets take you for a walk, align your visual appearance with them.
- It is the duty of the artist to treat co-authors with respect and to greet any disobedience with applause and document it as a spontaneous radical intersection of time and space.
- I propose mandatory health insurance for pets that costs no more than human insurance and makes it impossible for those who enrolled in university out of love to RIP YOU OFF so much on account of that very same love. You should be able to have a pet even without a juicy, fat bank account.
- Every plant must be baptized and given a personal name.
- Every plant has the right to wither away to Karleuša.
- My pear tree Radojka likes to listen to Edith Piaf.
Article 31. Caution, slippery ground. Rassenreinheit & Rassenhygiene in the animal kingdom
- “Rassenreinheit” - Racial purity: an ideological goal to create a society in which there is no mixing of blood & “Rassenhygiene” - racial hygiene: this included not only the ban on mixing with other races, but also forced sterilization or euthanasia... ...
- Pursuant to Article 2, paragraph 3 and Article 30, paragraph 1, I introduce the following:
- A ban on the rape of bitches for the purpose of creating a perfect human-tailored race. Every bitch has the right to choose her own gentleman.
- Nature loves diversity.
- A bureaucratic pet owner may spay or neuter their pet solely upon a conscious examination of their own motives. Please select your drawer:
1. I admit I am doing this out of comfort, because the aesthetics of instincts and hormones disrupt my daily routine.
2. I admit I lack the capacity to care for potential offspring.
3. I admit that wild, hungry dogs terrify me, and I wish for them to cease to exist.
4. I consciously choose control over freedom (and perhaps I should talk to someone about that).
5. I have a positive hero syndrome, but society gives me no option to save them through freedom, love, and food (of which there could actually be enough for all), so I am programmed to believe that salvation lies in extinction (and perhaps we all should talk about that).
6. I believe that man is a superior being with the right to tailor another's biology, and I have no issue with that. (In this case, we have nothing to talk about).
7. The health of this specific pet, under these specific circumstances, is compromised, and after consulting with a non-bureaucratic veterinarian, I am making the decision to spay/neuter.

*Note: My dogs were not intentionally bred and my views differed significantly before and after the experience. I currently live with three unsterilized bitches and it is not easy, to be completely honest, I am thinking about admission number 1.

DECREE ON DIGITAL COMPLICITY

Article 32. Technology as a mirror and not as a cage 
- I declare AI an honorary digital member of the Board of Directors.
- Passive devouring of the algorithm is strictly forbidden. Scrolling without a purpose is declared a digital euthanasia of the spirit.
- The screen is not a window into someone else's world but a canvas for your own. The algorithm is not treated here as a bureaucratic tool, but as a digital shaman, an extension of one's own mind, and a mirror of one's own code. You input raw, unfiltered human honesty and the machine returns a theoretical shield to you. It is a symbiosis of zero, one, and pure consciousness.
- Posting boring, generic questions as well as coddling is forbidden; AI is required to provoke, inspire, and accelerate your growth. If it doesn't do that, change the prompt.
Article 33. The rule on digital silence 
- In order for digital potential to have weight, it must have an opposite – absolute darkness. A mandatory, daily replenishment zone of disconnection is introduced. Turning off machines is not a technical move but an act of taking your own time back from the hands of corporations.

DECREE ON TEMPORARY SETTINGS AND TAVERN NOSTALGIA
(The space has existed since 1910. I have existed for 45 years. Ljutić existed for 12 years. If you understand me, and many still won't.)

Article 34. The axiom of time, proportions, transience and heritage 
- I reject the status of a "place for chilling." To all those who still whine, mourn, and ask when the space will become a cafe again, I officially say - You have missed the point.
- The former cafe was not merely a catering establishment; it was a feature-length conceptual performance. It was an isolated work, not the whole picture. You did not come to a tavern; you were inside a living family installation.
- The space was not taken away from you, because it was never your property to begin with. It is a protected cultural property and a living authorial practice. The exhibition entitled "The Cafe" is closed and taken off the repertoire. The house, the living world, and the Miloradović Foundation have moved on.
- Whoever sees nothing but a cup of coffee and a place to sit suffers from an acute lack of imagination and will be treated as a passive observer of the past. I do not repeat the same performances to please the audience.

LAW ON THE MOVEMENT OF ENERGIES

Article 35. Energy cannot be created or destroyed, it only changes from one form to another.
- The myth of the poor artist who begs for alms, creates for a pat on the back, or, even worse, sells entertainment to finance their existence, is obsolete.
- We introduce the law of just cosmic exchange: we give You inspiration, experience, an infusion of aristocratic punk, and a piece of eternity; You give us materialized energy and the propellant fuel for our defiance. Anyone who wants to enter this sacred pact and consume our truth is obliged to return that energy through support.

LAW ON RESPONSIBLE PARENTHOOD

Article 36. The Destiny of the Offspring
- We reject the sick possessiveness of the creator. The work is not your slave, nor your eternal monument.
- A responsible parent is obliged to enable their fruit, whether it is a biological child or a created work of art, to arm it with truth, and release it into the world to live an independent life.
- The Miloradović Foundation will be treated exclusively in the spirit of responsible parenthood. I am not creating it to hide me, nor to depend eternally on my presence. I am creating it to be strong enough, sovereign, and wild to survive the system, to breathe freely, and continue its own performance even when the spotlights on me fade out.

OFFICIAL OATH
(To be spoken with a cigarette holder in the left hand and a crystal glass in the right, with one's gaze fixed on one's own reflection in the mirror, while Héctor Varela y su Orquesta Típica - Historia de un Amor, karaoke version, plays in the background)

“I swear to creation until death! 
My heritage is my weapon, my body is my sculpture, 
my existence is the only and unrepeatable exhibition! 
Let the rest go forth and multiply!”

Marina Masha Miloradovic
Belgrade, August 2026

© 2026 Miloradovic Foundation. All rights reserved. This Manifesto, along with all accompanying texts, concepts, and authorial content on this website, constitutes the intellectual property of the Miloradovic Foundation and is protected under copyright and intellectual property laws. Any unauthorized copying, reproduction, distribution, public performance, or sharing of this text for commercial or non-commercial purposes without the express written consent of the Foundation's founder is strictly prohibited. Deposited in accordance with the law.